#filmswelove – Cinema Paradiso

I have written elsewhere about Giuseppe Tornatore and his examination of film in The Star Maker (1995), and I hope that future posts, articles, and maybe even long-form journalism, can be dedicated to the tendency to self-reflection and nostalgia for film in Italian & European cinema (another #filmwelove is Bertolucci’s ┬áThe Dreamers (2003)). For now, […]

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